Inside Llewyn Davis (Joel and Ethan Coen, 2013)
It’s made up. I can control it.
Steve McQueen for Vulture (2013)"Fassbender told me that McQueen “loves human beings,” even terrible ones. “The great thing about Steve, in terms of looking at characters and telling stories, is that he doesn’t judge any of it. It all is what it is. Through observation you try to gain some kind of understanding, as opposed to judgment.” He calls McQueen’s approach “almost journalistic.”
Into the Algarve Sun. Photo by Norman Parkinson for British Vogue, 1973.
~THE WOLF OF WALL STREET EMOTIONS~
Waiting like fools:
Us needing comfort:
what we will be doing during:
I needed to post this, because it’s important.
a couple months after
Simba, Pumbaa, and Timon though
Dustin Hoffman photographed by Ara Guler, early ’70s.
The Dark Hedges, Northern Ireland
photo via nancy
This post when its on my dash again and again
I seriously had no faith in this one before Coven.
I called in Dane to come and do some chemistry reads, which is what Hollywood does nowadays where you have two actors read together to see how their chemistry is. So I had Dane come in and about 12 other actors to read opposite him that day. And Emory Cohen came in, he was about the 8th of the day. And immediately there was this tension between them in the room. I gave them an ice-breaker question; who was their favorite actor? Emory said, “Well, I always liked Marlon Brando.” Dane said, “I always liked James Dean.” And they proceeded to argue about who was better, Marlon Brando or James Dean. I thought they had this definite connection and a chip on their shoulder for each other. And that was exactly the dynamic for the movie. The first scene I shot with them was the cafeteria scene. Ray Liotta came to visit me on set that day and he was just like, “Man, looks like you’ve got two real winners here.” - Derek Cianfrance